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When I
went to Hebrew school I had to walk past an exhibit of Holocaust
photos that gave me nightmares. One in particular had an emaciated
woman lying on a wood pallet with two other people.
One
day, the Rabbi saw me running to my classroom, looking at the floor.
When he touched my shoulder, I almost jumped out of my skin.
He
could see how upset I was.
“What
troubles you, my child,” he asked.
“Those
pictures give me bad dreams.”
“Come
to my office,” he said in a calm tone. “I have a story to tell you.”
I
followed The Rabbi into his office.
“Let me
tell you a story about my nephew, Samuel,” he said.
The
Rabbi paused.
“So you
will always remember.”
Samuel
was a recluse during high school. He spent time in his room,
sketching pictures of images that he could see out his second-floor
window.
Samuel
only drew in black and white. He always dreamed of painting the
world in color. He drew a broken oak-colored violin in the corner,
and really wanted to catch the way the sunlight brought out all its
beautiful shades of brown and yellow.
To
Samuel, his eighteenth birthday became probably the most special day
since his thirteenth birthday when he celebrated his bar mitzvah.
Although his family was poor, he heard that Aunt Esther and Uncle
Jacob were coming to visit and was excited about our visit.
She had
called last week and asked Samuel what he wanted for his birthday.
With his family having so little, Samuel didn’t give her an answer
because he didn’t feel right asking for anything. We arrived on his
birthday with hugs all around. Samuel came downstairs and saw me
carrying an easel and helped me get it into the house.
“That
is for you my nephew; use it wisely,” I had said.
“Oh I
will; thank you Uncle Jacob.”
Samuel
grinned from ear to ear. While shaking my hand, his Aunt Esther
sneaked up behind him to hand to hand my nephew a box of paints with
a mixing palette. He couldn’t believe it. It was a dream come true.
Finally he could paint the world. Stephen turned to his aunt and
hugged her harder than he had ever hugged her before.
Samuel
raced upstairs, set up the easel and began mixing shades of colors.
Realizing he was being rude, the lad returned downstairs and they
all sat down to dinner and birthday cake. Nobody could have known
that this would be his last.
The
adults were discussing politics but Samuel couldn’t concentrate. All
he could think about was finishing dinner and getting back up to his
room and his wonderful new present, to which he ran as soon as
excused from the table.
“That’s
a bright boy,” I had said, as Samuel raced upstairs.
Samuel
came home from school and right up to his new “painting studio” and
start painting, until he was called down for dinner. He practiced
painting every day, always picking something different to paint.
Soon,
summer came and the school year ended. The family hardly saw him
anymore. Samuel didn’t take much time to eat and did not worry about
the other concerns plaguing Poland at the time. The shy artist would
not share his paintings with anyone until he had finally completed
the violin that was his pride and joy. The family viewed his
painting, full of colors and design.
Everybody applauded.
Soon,
Samuel began painting portraits and selling them. One day, Samuel’s
father came home very upset. He had been fired from his job at the
engineering firm because of being Jewish. The family panicked about
how they were going to support themselves. Samuel was barely making
enough money to put food on the table.
Even
then, the food didn’t always make it home. One afternoon through his
window, the young artist saw his sister, Sarah, fighting in the
street for the loaf of bread that she had just purchased.
Everyone was desperate for food since Warsaw had quickly turned into
a starving Jewish ghetto. Nazi soldiers walked the streets now and
there was a curfew. Anyone in violation would be shot on sight.
Samuel raced downstairs to father pull his unconscious sister into
the house, before the soldiers could take her and do as they
wished. After he knew that Sarah would be alright, Stephen felt so
overwhelmed that he locked himself in his room for a whole day and
painted the horrifying display, tears running from his eyes, as he
painted the crimson markings on Sarah’s face. That was the first
time my nephew realized that he could paint from memory.
Every
day, Samuel’s parents looked for ways to make enough money to feed
the family. Jewish people stopped coming to have their portraits
painted, because, they could not afford it and the gentiles would no
longer come into the ghetto. Thus, the money stopped flowing in from
Samuel’s work and his family slowly began to starve. They could hear
shooting in the streets and people crying out for mercy. He painted
the scene after they left. Samuel heard his own family crying out
from hunger and painted their empty freezer box.
One
evening, Samuel noticed a woman being dragged down the street
kicking and screaming as two Nazis took her, their boots clicking in
unison. Samuel painted this from memory as well.
The
next day Stephen painted a starving man, killing a rat to eat, right
in front of their house. My starving nephew did not come downstairs
for a few days.
When
called down for dinner the next day, he put down his paints and
raced down the stairs with Sarah, both approaching starvation. Each
quickly grabbed a slice of bread from the quarter-loaf and swallowed
a cooked potato. They all looked around for more food. Instead of
crying, they blessed God, thankful for the food they had received.
When
Samuel looked up from his plate, his parents and sister were wearing
armbands with Jewish stars on them. The boy was filled with
sadness. His father called him a naive artist who should dry his
tears and hold his head proud. He went back upstairs in shame,
planning to go get his armband tomorrow before getting shot on the
spot for not wearing one.
Nazi
soldiers went to all Jewish homes, demolishing them and looking for
anything of value to pilfer. They dragged the people off to trains.
Tears hit his canvas as much as his brush these days. He saw his
neighbor across the street get shot for coming home ten minutes past
curfew and painted the image.
Too
scared to leave the house to go get the armband, he remained in his
room curled up against the wall waiting for the inevitable.
The
inevitable came. There was a loud knock on the door. The family
said a silent prayer of 'Sh’ma,' reaffirming that the Lord is their
God and the Lord is One. Then the door was busted down.
I was
told that Sarah was put in a line of young women, who were being
abused by the soldiers for their sexual pleasure.
His
father was put into a line with other professionals and put on a
train. Eventually, he was gassed upon arrival at a death camp.
His
mother, my wife was told, was forced onto a train where she
suffocated.
Samuel
recognized one of the soldiers as Charles, a friend from high
school. Charles looked him in the eyes sternly and called out "Take
him away."
Perhaps, due to Charles' hidden pity, the house was not ransacked.
Samuel
died of starvation at a work camp, never knowing that his paintings
would be saved.
Genocide was just that simple.
When
the war was ending, some American soldiers stopped at a house to
rest. One of them went upstairs to see if there were any cans of
food stashed there.
"Come
quick," he called to the others. Both raced upstairs and saw the
violin that the soldier had pulled out of its hiding spot.
"Wow,"
one soldier gasped.
“It’s
broken. What a shame!”
"Wait a
minute, what is that," the other American soldier asked when he saw
a corner of paper hanging out of the violin.
They pulled it apart.
Inside,
they found ten paintings of the Polish ghetto. They gazed in awe at
the atrocities. These pictures told a story of horror, as seen
through the eyes of a starving eighteen-year-old painter.
My
nephew’s paintings are now on display at a Holocaust exhibit. The
first time that I saw it, I was both proud and saddened by what I
saw. Believe me, you are not alone in your fright. We must never
forget that war can cause such casualties.
He took
my shoulder and led me to my Hebrew School class. I stopped at the
picture that had given me so many nightmares and felt a tear roll
down my cheek.
April Scheiner is a writer of creative non-fiction. During past
years, she has gathered infomation about different problems in
society (based on her work and her own life).
Her writing is meant to confront these issues and create empathy in
her audience.
April hopes to lecture on this subject, as well as continue
working on committees that promote awareness of social darkness
through events attended by many. Ms. Scheiner earned her doctorate
from the University of Denver School of Law and her bachelor
degree in Psychology/Criminology. She works primarily with
battered women, abused and molested children, runaways, cancer
survivors, and rape victims. These are all positions for which she
was trained and certified. April hopes to help survivors and these
service-oriented mentors to create a rallying cry to promote
awareness amongst society of the darkness in the world. Awareness
is the first step to social change.
Contact
April Scheiner |